This will be my first talk as part of my new project:
Botanical Art, Botanical Commerce: Britain meets China at the Dawn of Modernity
Oxford, March 24th
Learn
more about the botanical interactions between Britain and China in the
18th century in this talk focused on an exceptional as of yet underused primary source.
Former director of the Royal Botanic Gardens in Kew Sir Peter Crane, author and expert in the history of science, medicine and culture Jordan Goodman and expert in Sino-British exchanges and China Trade paintings Josepha Richard discuss the John Bradby Blake collection.
Crane is inaugural President of the Oak Spring Garden Foundation, Virginia, USA, which contains the archive of 18th-century East India Company supercargo John Bradby Blake. Blake first visited Canton in 1767/68 as a trader and, before his death in 1773, his collaboration with the Chinese artist Mauk-Sow-U produced over 150 striking and botanically accurate paintings of Chinese plants. These paintings and the associated archives provide details of an interesting life and previously little-known dimensions of late 18th-century social and scientific interactions between the British and Chinese, including British attempts to secure living plants that could prove useful at home and in its colonies.
The panel is part of FT Weekend Oxford Literary Festival and will be introduced by deputy editor of FT Weekend Jane Owen.
This event is part of a series for FT day at the festival and lasts 45 minutes.
Former director of the Royal Botanic Gardens in Kew Sir Peter Crane, author and expert in the history of science, medicine and culture Jordan Goodman and expert in Sino-British exchanges and China Trade paintings Josepha Richard discuss the John Bradby Blake collection.
Crane is inaugural President of the Oak Spring Garden Foundation, Virginia, USA, which contains the archive of 18th-century East India Company supercargo John Bradby Blake. Blake first visited Canton in 1767/68 as a trader and, before his death in 1773, his collaboration with the Chinese artist Mauk-Sow-U produced over 150 striking and botanically accurate paintings of Chinese plants. These paintings and the associated archives provide details of an interesting life and previously little-known dimensions of late 18th-century social and scientific interactions between the British and Chinese, including British attempts to secure living plants that could prove useful at home and in its colonies.
The panel is part of FT Weekend Oxford Literary Festival and will be introduced by deputy editor of FT Weekend Jane Owen.
This event is part of a series for FT day at the festival and lasts 45 minutes.
