About gardens in China, Chinese gardens outside China, Chinese architecture and heritage.
Showing posts with label Canton. Show all posts
Showing posts with label Canton. Show all posts
Wednesday, 25 September 2019
Chinese plant circulation in the 18th century - the John Bradby Blake project & Environmental Humanities
Revisiting intellectual history of Chinese flora in Britain offers new perspectives on current issues such as environmental impact. I recently wrote a blog post on 18th century British trader John Bradby Blake's project of collecting Chinese plants and bring them back to Britain - and its little known impact on environment for the Bristol University's Environmental Humanities blog here.
Wednesday, 25 April 2018
"This Little Paradise": Aviaries in 18-19th century Guangzhou gardens
I am happy to have been given 4 pages to discuss 18-19th century Guangzhou aviaries in the latest issue of Historic Gardens Review! For now it is only a preview on their website and the physical journal, but in the future it will be available as an online article.
I notably included rare pictorial evidence of aviaries in Guangzhou and Macao, as well as comparisons with British vision of Chinese aviaries and their feathery inhabitants. I found that it was a good way to capture the difference between chinoiserie and actual examples of Chinese garden buildings with contemporary evidence!
For a taste of what the article starts with, I invite you to read Patrick Baty's blog post on the aviary at Dropmore Park. The aviary as illustrated by Barbara Jones, was made with tiles from Canton and in a style reminescent of Chambers' chinoiserie, but surprisingly appears relatively close to what a late 18th- early 19th century aviary in Guangzhou or nearby Macao might have looked like.
Labels:
Aviary,
British gardens,
Canton,
China,
China Trade,
Chinese architecture,
Chinese garden,
Chinese gardens,
Chinese History,
Chinoiserie,
East-West interactions,
Gardening history,
Guangzhou
Sunday, 31 May 2015
Video: One of the four famous gardens of Lingnan, Qinghuiyuan
During my fieldwork in June/July 2014 I visited again the Qinghuiyuan 清晖园. It is considered one of the four famous gardens of Lingnan, an outdated term designing globally the region around Guangdong.
In reality this "top 4" only takes into account gardens relatively well conserved around Guangzhou, as the most renown were for the most part destructed.
Here is an amateur video of the main scene of this garden.
The Qinghuiyuan is located in Daliang, Shunde 顺德. It was first a
residence owned by Wang Shijun under the Ming Dynasty, but the current garden
takes its origin in the constructions made for Long Yingshi at the end of the
reign of Emperor Qianlong (1735-1796). It includes buildings such as the Returning Hall, the Chengyi Pavilion, the Bixi Caotang, the Xiyin Study, the main building being the Boat Hall which was supposedly built
for the daughter of the owner. Two
ponds are located on both sides of the boat
hall, on the south-east is the original pond on which the
garden is centred; and the south-west pond was added during modifications from
the Jiaqing period (1796-1821).
It has been largely renovated in the second half of the 20th
century, and only one of the pond has kept relatively intact appearance - the one you can see in this video.
Thanks to UCCL and to the Landscape Department at the University of Sheffield for funding my fieldwork.
Sources:
Most books on Lingnan gardens are written in Chinese, therefore I recommend this bilingual edition:
Lu, Q., Zhang, B., & Li, Y. (2004). Lingnan yuanlin yishu 岭南园林艺术 (Art of Lingnan gardens). Beijing, Zhongguo jian zhu gong ye chu ban she.
Lu, Q., Zhang, B., & Li, Y. (2004). Lingnan yuanlin yishu 岭南园林艺术 (Art of Lingnan gardens). Beijing, Zhongguo jian zhu gong ye chu ban she.
Sunday, 3 May 2015
Conference abstract: "Cantonese gardens in the 19th century"
Yuyin shanfang, Panyu, Guangzhou suburbs. Picture: J.Richard 2010, all rights reserved.
New approaches in Chinese garden history, conference abstract
19th June 2015, at the University of Sheffield
Josepha Richard, PhD candidate, University of Sheffield, UK
"Cantonese gardens in the 19th century"
Gardens
in Lingnan, particularly those located in and around Guangzhou (Canton), were
among the first Chinese gardens to be visited by Westerners, as until the Opium
Wars, movements of foreigners were restricted to the city of Guangzhou, with
the exception of a few missionaries who were able to enter Beijing. Thus Guangzhou
gardens, and more specifically the Co-Hong (or merchant) gardens of the 19th
century, have largely informed Western understanding of Chinese gardens at a
time when Suzhou gardens were inaccessible to foreigners. However, despite its
historical importance the Lingnan region has not been thoroughly explored by
Western scholars, and research in China has mostly seen local exposure. This
paper will present a conjectural reconstruction of Co-Hong merchant Howqua’s
garden, built at the beginning of the 19th century in the suburbs of
Guangzhou. This reconstruction is based on Western diaries, records and
photographs, as well as Chinese sources such as annals, export paintings and
poetry. Howqua’s garden is presented in the context of social life of late Qing
Guangzhou, when its inhabitants were developing a discourse of local culture in
the wake of the creation of the Xuehaitang Academy.
Monday, 1 September 2014
Late Imperial Guangzhou 广州 or "Canton", its gardens and temples. Part 2, the "Old city"
Guangzhou in 1900. 广州历史地图精粹 p.81, kept in the Guangdong archives.
What did Guangzhou 广州 (or Canton) look like in late imperial China, and more specifically during the 19th century? That is the question I try to answer succinctly here, by describing its most important landmarks.
"That part of [Guangzhou], which is surrounded by a wall, is built nearly in the form of a square, and is divided by a wall running from east to west, into two parts. The northern, which is much the largest part, is called the old city; the southern part is called the new city. [...] These divisions ceased long ago to exist. The new city was built at a much later period than the old." The Chinese Directory, vol II, 1834, p.155
This post will describe the general aspect of the Old City, what one could have seen while walking its 19th century streets. We will keep in mind that depending on the years, Westerners (or common Chinese people for that matter) would not have been allowed everywhere, a state of things which would change with the Opium Wars, and is not our focus for this post.
Guangzhou in 1888. 广州历史地图精粹 p.52. Kept in Zhongshan library.
The inside of the Old City was made of many smaller walled units: the many “yamen” 衙门. Civil government officials worked in offices at the front and lived in halls at the back [1]. Walking down these streets, the main available view was that of many inner walls. Two main avenues were cutting through this Old City, one from north to south and the other from east to west, linking different gates. To the south was the Gate of Virtue, quite easy to spot because of its four "massive ornamental stone arches" [2]. There were sixteen gates around the Old City by the mid-nineteenth century [3]. The walls were bi-coloured: a red sandstone served as base and the rest was made of grey bricks. The overall height ranged from 8 to 14 metres, and the thickness could attain 6 metres.
Outside the walls, except in the
south where the New City laid, ditches circled the walls. According to Ida Pfeiffer, who visited Guangzhou
in August 1847 disguised as a man (it was then supposedly forbidden for
foreigners, and above all women, to visit the city), the outside wall was then
almost 20 metres high (this can be doubted) but more interesting was the fact
that it was fully invaded by vegetation, disappearing under wild plants to the
point of resembling a splendid hedge [4].
This sight must have been magnificent, as these green walls rose from a maze of
smaller houses. However the best drawing I could find of these walls represent them as white.
Guangzhou seen
from the eastern suburbs in 1857. Reproduced in Garrett, Plate 8
The western part of the Old City
was home to the Manchu, the military class. According to the fengshui, the
north is considered the better direction to live in a city and a house. In the
northern part, the west side is considered better; and the Manchu had to
symbolically mark their superiority. Especially because, as a major
port, Canton was occupied by some 5000 bannermen with their families, their quarters
situated in what was called the Tartar Quarter. Their dwellings were
different from the Chinese houses, the latter being mostly made of clay bricks
and wood.
The Manchu streets offered a
strange sight of adobe buildings, of which the walls were whitewashed, while
every border was underlined by black paint. On this white canvas
were drawn red suns for lower ranks soldiers, and diverse symbolic animals for
the higher officials. According to the Westerners who visited the area, it was
a quiet quarter, most contrasting with the New City full of Chinese life. The
pictures show only ground level houses for lower ranks, it probably was not
higher than one storey in the higher rank streets.
The Tartar Quarter and the Flowery Pagoda, 1860. Picture
taken by Felice Beato. Reproduced in Garrett, p.17
The Tartar General, head of the
banner garrison, lived in a special yamen. It was a two-storey building,
considered one of the biggest of China at the time[5] and one of the most important official residences of Guangzhou. Its outstanding
appearance rendered the building more noticeable from a far distance than when
walking near its walls. After the bombardment of the city in 1856 by British
and French allies, part of the yamen was walled-off and occupied by the British
consul, while the rest remained to the Tartar General.
Thomson, 1873: Plate XVII The British consular yamun Canton
The east side of the Old City was
home to some of the Chinese officials, in reality more powerful than their
proud neighbours. The Mandarins also had yamen, however their appearance was more evidently Chinese, made of wood and brick. This quarter of official buildings was
organised in a regular way, however its pattern was disturbed in the South-east
by a long rectangular area : the Examination Hall. According to the
Scotsman John Thomson in the 1870s:
"[The Examination Hall] covered an area of 1300 feet by 583 feet, hedged round by a high wall pierced by gateways on the East and west, and by a main entrance. [...] Entering the great gateway, one is admitted to the central avenue [...] flanked on each side by rows of cells, each row marked by a colossal character taken from "The Thousand Characters Classic". [...] A narrow passage divides the rows and admits access.[6]"
This contrast between Manchu and Chinese
quarters was probably fully appreciated by foreign eyes : the exotic and
marvellous creatures painted on the white walls of the Tartar Quarter were
answered by the elegance of the giant characters adorning the rows of the
Examination Hall.
Canton Examination Hall, picture taken in 1873 by John
Thomson
The spacious Old City was marked
by a number of landmarks. These could be seen from afar, and were often
represented in paintings or pictures. One of them is the Zhenhai Tower 镇海楼 or Five Storey Pagoda 五层楼 first built in 1380. Its
location, on the upper part of the hill that is now the Yuexiu Park 越秀公园, made it
easy to spot (see more pictures on the Historical Photographs of China website, an initiative of the University of Bristol).
Vömel, Heinrich Johann (Mr), “Pagoda, tea-house and look-out tower, Canton.,”, taken between 1901-13. BM Archives.
Another eye-catching building was the Flowery Pagoda 花塔, an
octagonal tower of more than fifty metres, with many levels and matching roofs.
It was situated in the middle of the Tartar Quarter.
Ziegler, Heinrich (Mr) , “Flower pagoda, Canton.,” taken between 1877-1915. BM archives.
Its
counterpart was the minaret, located in the Huaisheng Mosque 怀圣寺, or Tower of Light 光塔. It was first built in 850
and reconstructed in 1468, and is still standing today. Its height is about 50 metres, its shape is circular
with two levels, and as it is not adorned by any decorations it was sometimes given the nickname of "Smooth Pagoda". This minaret
stood as proof of the Arab presence since the Tang dynasty in Guangzhou.
Guangzhou Mosque and Minaret. Date unknown, reproduced in
Garrett, p.7
There were probably some gardens inside the yamen of the Old City, but unfortunately the only pictorial evidence I found so far are all pictures of the "English" yamen previously mentioned. Some characteristics of Guangzhou gardens, such as the penjing holders, are visible:
Canton n244. Yamoon. Residence of the English Consul - on the left are the gardens. George Ernest Morrison, around 1870s. Image found on a Chinese website, but many copies exist, notably in the British Museum & another at the Royal Collection
Let's conclude on a citation from S. Wells Williams (1848)[7] :
"There are two pagodas near the west gate of the old city, and one hundred and twenty-four temples, pavilions, halls, and other religious edifices within the circuit of the city.
One of the pagodas, called the Kwang tah or Plain pagoda, was erected by the Mohammedans, who still reside near it, about ten centuries ago, and is rather a minaret than a pagoda, though quite unlike those structures in Turkey in its style of architecture : it shoots up in an angular, tapering tower, to the height of one hundred and sixty feet.
The other is an octagonal pagoda, of nine stories, one hundred and seventy feet high, and was first erected more than thirteen hundred years ago.
The geomancers say that thewhole city is like a junk, these two pagodas are her masts, and the five storied tower on the northern wall, her stern sheets."
Next post will focus on the New City!
Links to see, learn more:
Old Shameen, Chronicling the history of Shamian Island in text and pictures
Historical Photographs of China website, an initiative of the University of Bristol
[1] Garrett, V. M. (2002). Heaven
is high, the emperor far away: merchants and mandarins in old Canton. New
York: Oxford University Press. p 14
[2] Garrett (2002), p 13
[2] Garrett (2002), p 13
[3] Garrett (2002), p 15
[4] Pfeiffer, I. (1858). Voyage d’une femme autour du
monde. Paris: Hachette, p 1095
[5] Garrett (2002) p 18
[6] Mentioned in Garrett (2002) p. 23-24. THOMSON, J. (1982). China and its people in early photographs: an unabridged reprint of the classic 1873/4 work. New York, Dover Publications.
[7]Williams, S. W. (1848). The Middle Kingdom, a survey of the ... Chinese empire and its inhabitants... p.132
[6] Mentioned in Garrett (2002) p. 23-24. THOMSON, J. (1982). China and its people in early photographs: an unabridged reprint of the classic 1873/4 work. New York, Dover Publications.
[7]Williams, S. W. (1848). The Middle Kingdom, a survey of the ... Chinese empire and its inhabitants... p.132
Disclaimer: the old pictures used in this post should be free of copyright, as far as I am aware. If you own the copyright of ones of these pictures, comment below and I will be happy to delete them.
Sunday, 24 August 2014
Late Imperial Guangzhou 广州 or "Canton", its gardens and temples. Part 1, Introduction
Map of Guangzhou in 1860. Source: http://nla.gov.au/nla.map-lms636
Guangzhou 广州, also known as Canton, is the capital of Guangdong province, situated in the south-east part of China. It is also the third Chinese city, behind Shanghai and Beijing. Its unique location on the Pearl River is the origin of its wealth, linked with the nearby Hong Kong and Shenzhen. It is generally believed that the city was inhabited before the Zhou dynasty (1046 - 256 BC).
Guangzhou has long been a harbour of international importance: the Muslin Arab merchants anchored there under the Tang Dynasty (618-907 AD) and Western merchants began arriving in the sixteenth century. It continues today to overflow with Hong Kongese, Chinese, and foreign people of all origins, gathering to trade tea, porcelain, silk and more modern goods.
In the past, the trade between China and other countries underwent periods of disruption, but even when most of the Chinese harbours were closed to foreign merchants, Guangzhou often remained an exception. This is the reason why foreign accounts of China before the twentieth century always mention Canton; but this interest started to fade after new ports were opened to trade.
Guangzhou has long been a harbour of international importance: the Muslin Arab merchants anchored there under the Tang Dynasty (618-907 AD) and Western merchants began arriving in the sixteenth century. It continues today to overflow with Hong Kongese, Chinese, and foreign people of all origins, gathering to trade tea, porcelain, silk and more modern goods.
In the past, the trade between China and other countries underwent periods of disruption, but even when most of the Chinese harbours were closed to foreign merchants, Guangzhou often remained an exception. This is the reason why foreign accounts of China before the twentieth century always mention Canton; but this interest started to fade after new ports were opened to trade.
For a few posts I will embark on a trip through Guangzhou's 19th century lanes, and explore the gardens and temples which were part of this energetic city.
The late nineteenth century Guangzhou had many faces; its diverse population made for a contrasted city. This flourishing port was home to a diverse population: Manchu Bannermen, Han Chinese both local and sojourning, Hakka, Tanka people forbidden to live on shore, Foreigners (Arabs, Westerners), and many more. Their repartition in the city had an impact on urbanisation and created a unique pattern.
In 1900, Guangzhou was still under Manchu domination even though the Qing Dynasty was shaking, and the organisation of the city has not changed yet. When the Manchu first entered Canton the 24 November 1650, it was already the third largest city of China (after Beijing and Hangzhou[1]). A wall protected the heart of Guangzhou, last improved under Ming Dynasty in a 10 km belt circling the Old and the New cities. The whole was situated on the north bank of the Pearl River, the Northernmost point marked by the still existing watchtower culminating at 300 metres above sea level. At the south the city did not reach the river.
Guangzhou map in 1910. W. & A. K. Johnston Limited - Hosea Ballou Morse (1910). The International Relations of the Chinese Empire. Volume 1. p. 118.
This walled city was
still there in 1900; the separation between the two inner parts not yet
faded. Its irregular shape is well understood while observing the map of 1910. The northern part (the Old City) was mostly reserved for Manchu and Mandarin
Chinese, while commoners lived in the smaller New City in the
south. The result from an
aesthetic point of view was a contrasted organisation, with on one hand bigger
units better arranged in the north part, and on the other hand smaller units
less systematically built in the south part.
Next post will focus on the Old City part of Guangzhou in the late Qing Dynasty period.
[1] Garrett, V. M. (2002). Heaven
is high, the emperor far away: merchants and mandarins in old Canton. New
York: Oxford University Press. p.13.
Subscribe to:
Posts (Atom)













